Showing posts with label Clint Eastwood. Show all posts
Showing posts with label Clint Eastwood. Show all posts

Friday, April 22, 2016

3 Westerns Due for a Remake After 'The Magnificent Seven'

A trailer was just released for the remake of the classic Western The Magnificent Seven.  The ensemble piece has big boots to fill, especially considering the 1960 version had to fit into the clown shoes of its inspiration, the Japanese masterpiece Seven Samurai by legendary director Akira Kurosawa.  John Sturges managed to follow up Kurosawa with an amazing cast and with action and adventure in the place of Samurai's incredible artistry.  Now Antoine Fuqua is walking in Sturges' footsteps just as Denzel Washington, Ethan Hawke and Chris Pratt walk in those of Yul Brynner, Steve McQueen, and Charles Bronson.  This time Fuqua is adding a taste of excessive violence to the recipe.  When one is remaking a classic movie for the second time it's a good idea to at least put a new spin on it.  Possibly, The Magnificent Seven could be part of the beginning of a new age for Westerns, along with The Hateful Eight and The Revenant.  If that's going to include remakes I can think of a few more opportunities for a good spin.

The Magnificent Seven

High Plains Drifter


Westerns have become a shorthand for moral simplicity.  There are good guys in white hats and bad guys in black hats.  They draw pistols at dawn and the bad guys hit the dirt at a minute past dawn.  Of course, that's a broad interpretation.  There are plenty of Westerns with more complicated ethics.  On the far end of that spectrum is High Plains Drifter.  Directed by and starring Clint Eastwood, Drifter appears to be about justice but a more specific code of ethics is harder to pin down.  There's barely a character worth rooting for to be found.  It's hard to tell if that was intentional or if writer Ernest Tidyman is just entirely lacking in scruples.  Either way, there are good reasons why the movie has become a classic.  It's well directed and much stranger than your typical cowboy picture, making it a prime example of what Wikipedia calls "Weird West."  A remake of High Plains Drifter with the same touch of the supernatural but a just slightly better defined sense of morality could be really fascinating.

Clint Eastwood

Wild Wild West


If someone says "steampunk spy Western" the obvious reply should be "how do you mess that up?"  It seems impossible but it happened in 1999.  Not only that, but Wild Wild West is remembered as one of the biggest bombs in Hollywood history.  The script was awful and totally unfunny, a complete waste of the comic talents of Kevin Kline and Will Smith.  I know that sounds like a Deadpool review from someone who "just doesn't get it" but like I said, history has my back here.  The worst part is that the TV show the movie is based on was genuinely pretty good but now has been almost entirely overshadowed by the trainwreck of a movie.  It was created in the mid-60's when cowboys were on their way out and spies were on the way in.  Producer Michael Garrison had the idea to put James Bond in stirrups.  The result was one of the strangest but coolest TV shows ever made.  This could be the perfect time to bring The Wild Wild West back to its original glory in its original format.  Not only because Westerns are on the rise in the "golden age of television," but also because the perfect actor to play the villain is in the prime of his career.  The show's main antagonist Dr. Miguelito Loveless was played by Michael Dunn, one of the most accomplished dwarf actors ever and he opened a lot of doors for little people in film and television.  Now, Peter Dinklage is a major star and he's fantastic at playing villains like Bolivar Trask in X-Men: Days of Future Past.  A new version of The Wild Wild West with better writing and Dinklage as the mad scientist is practically begging to be made.

Will Smith

Jonah Hex


There was a time when gunslingers had a bigger presence in comic books than superheroes did.  Jonah Hex is the most prominent remnant of that time.  He's a bounty hunter with a horribly scarred face.  There isn't much more to him than that.  A character that simple calls for a simple approach. In this case, a mostly good guy battles very bad guys.  Instead the 2010 movie is stuffed with a lot of bad ideas in a much too long hour and a half.  There was a time when six years wasn't long enough to wait for a remake but Jonah Hex is as deserving of the benefits of the film industry's current "try, try again" method as anyone.  Then again, it might be better off with a sequel that simply pretends its predecessor doesn't exist.  Much like last year's Fantastic FourJonah Hex has too good of a cast to waste.  Josh Brolin plays the title character with Megan Fox as his love interest and John Malkovich as the villain.  Michael Fassbender even manages to almost make his scenes watchable as Malkovich's deranged, grinning lieutenant.  If the superhero bubble really is on the brink of popping just as the Western one did, maybe this is the perfect time to give old Jonah another shot.  Send out the golden age of comic book movies by combining them with the Western just as the Western once fused with the espionage thriller.  This time just skip the random fight club snake man.

Jonah Hex, Megan Fox

Friday, September 4, 2015

3 Great Films Made After Their Genre's Peak

On September 2nd, Steven Spielberg claimed that the recent rash of superhero films would come to an end, much like the western before it.  Some people were upset by his statements but I wasn't surprised because I've heard that argument before.  At first I was disappointed because I love the genre but I quickly came to accept it.  In some ways I even look forward to it.  Just because a genre stops being incredibly popular doesn't mean it goes away permanently.  Sometimes it comes back bigger and better than ever before.


Unforgiven





As Spielberg said, the Western went the way of the buffalo around 1970.  Like the buffalo, Westerns have also made something of a resurgence over the past decade or so.  There's a case to be made that Paul Thomas Anderson's 2007 cinematic masterpiece There Will Be Blood is a Western, and their influence is seen in the acclaimed blockbuster Mad Max: Fury Road and two of the most successful shows in the Golden Age of Television, Breaking Bad and The Walking Dead.  A remake of the classic The Magnificent Seven is scheduled for late 2016 and the similarly titled Tarentino film The Hateful 8 is premiering in January.  However, the most Western of the great neo-Westerns is probably 1992's Unforgiven.  It stars and is directed by Clint Eastwood, who has built his career on the genre.  Along with his work with Sergio Leone, Unforgiven is among Eastwood's best films and certainly one of his best directed.  It tells the story of a former gunslinger getting back in the game one last time.  Along the way it addresses themes like the repercussions of violence and the relationship between myth and reality, challenging classic Westerns including the ones that made Eastwood famous.


Chinatown





Film noir is a kind of gritty crime flick that was popular in the 40's and 50's.  Nowadays they're probably best known as a source of parody.  You can probably think of a few sketches or fantasy sequences where everything is in black and white a detective sits with their feet up on a desk, hat hanging over their face, doing a voice-over about some "dame" then making a self-referential joke about the voice-over.  1974's Chinatown, directed by Roman Polanski, has some of those elements and more, making it instantly recognizable as a noir.  It follows a detective as he gets wrapped up in a web of lies surrounding the Los Angeles water supply and the seriously dysfunctional family at the heart of it, and not dysfunctional in a fun sitcom way.  Jack Nicholson stars as Jake Gittes, a role that couldn't be more perfect for him.  Chinatown is widely considered one of the greatest films of all time, as evidenced by its near flawless 98% score on Rotten Tomatoes.  But like the man said, "Come on Gittes, this is Chinatown so just forget about it, alright."


Captain America: The Winter Soldier






Thanks to events like Watergate and the Vietnam War the 1970's were a great time to not trust the U.S. government.  That suspicion and fear led to a period of great success for political conspiracy thrillers like Three Days of the Falcon, Marathon Man and All the President's Men and maybe some others that didn't involve Robert Redford or Dustin Hoffman.  Those are the kinds of films that Joe and Anthony Russo had in mind when they directed 2014's Captain America: The Winter Soldier.  By combining 70's paranoia with the modern politics of surveillance the Russo's turned the Captain America sequel into one of the most distinct and interesting movies not just in the Marvel universe but in the entire superhero genre.  Robert Redford was terrifically cast as the villain, the most obvious connection to the past, while a Bourne-esque cinematic style keeps things rooted in the present.  Although diverging from the Marvel style was detrimental to The Incredible Hulk, if more superhero films can stand out while still feeling like part of a larger universe, the genre might last longer than Spielberg thinks.  If not, that's okay too.