Showing posts with label Sam Raimi. Show all posts
Showing posts with label Sam Raimi. Show all posts

Friday, June 19, 2015

Three Movies I Saw Recently

Here's the thing; I just don't feel like writing anything now.  The weekend kind of snuck up on me and I didn't think of any weirdly specific lists or mildly pretentious short essays.  Usually when I get to Friday and I don't have anything I stress out and spin in circles trying to come up with something.  That's not happening now.  My best guess as to why is that nothing seems to matter after the events in Charleston this week but it could be something else entirely.  I don't claim to understand my own brain.  I thought about addressing Charleston as directly as a I could but I don't think I'm the right person to do that and certainly not so soon.  However, I promised myself I would post something every week so here's three movies that I saw for the first time recently.

Oldboy


Oldboy is the second part of the South Korean Vengeance Trilogy.  It's an intense film that looks incredible and is certainly not short on vengeance.  As far as I know the first and third movies aren't directly related to the second.  I didn't even realize it was part of a series until after I finished watching it.  I'm looking forward to watching the other parts soon.  I've read that the recent remake by Spike Lee is disappointing but I'm still curious to see this story told with an American sized budget.

High Fidelity


Putting "record store" in a movie's description is a pretty good way to get me to watch it.  I think High Fidelity and Empire Records are the only two I know of and they're both great.  I love movies that are about music.  It's practically a guarantee that they will make full use of the auditory aspect of the medium and love of music is a character trait I can easily identify with.  The High Fidelity characters' pretentiousness on the subject could be off-putting but it's acceptable because the movie is so well made.

Army of Darkness


Sam Raimi would be one of my favorite directors if the only good thing he ever made was Spider-Man movies.  Fortunately that's not the case.  I've also been impressed by The Quick and The Dead and Evil Dead 2.  The latter is such a unique movie for its manic energy, humor, and all around strangeness that following it up was certainly a challenge.  I wouldn't say Evil Dead 3: Army of Darkness surpasses its predecessor but it's not exactly a dissapointment either.  It is still memorable and worth watching.

Friday, June 5, 2015

Just Straight Up Talking About My Favorite Movies

A couple of weeks ago I joked that I'm very uncomfortable talking about my emotions.  It was only a joke in the sense that I exaggerated a little but it was still more or less true.  However, it's good for my brand to let people know a little more about me and I'm nothing if not a slave to my brand.  That's why I had "nerd but like a cool nerd but not too cool or obnoxious like Chris Hardwick (I kid Chris because we're friends and I'm definitely going to be on @Midnight real soon)" tattooed on my forehead in the biggest letters possible so that it all fits.  Anyway, here are my favorite movies.  Hopefully they'll give you some insight into my mind and that insight will be relatable to you and make you like me.  (But for real these are my favorite movies.  Thus ends the snarkiness.)

Almost Famous





I like a lot of things.  I like a lot of movies, songs, TV shows, etc.  Almost Famous is the best and most positive depiction of fandom that I've ever seen.  It's about a teenager who loves music so much that all he wants in life is to be a rock writer.  He gets his wish and goes on tour with a band he likes on assignment from Rolling Stone.  Along the way everyone he meets is in love with music but they show it in different ways, from the musicians themselves to the non-groupie "band aids" playing the part of muse to inspire the music they love to the Led Zeppelin obsessed Jay Baruchel.  In Almost Famous music is a religion and the heroes are those with the most faith, whether it's in the golden god on stage or the humble prophet scribbling on his notepad.

Spider-Man 2



When I was younger I liked the Spider-Man movies because they were about Spider-Man.  When I got older I found that not only do they stand up to the test of time but they are also among the most intelligent and well made action movies that I've ever seen.  I find the second one especially interesting for its themes of duality, dichotomy, and reflection.  Much of the focus is on the conflict between Peter Parker the man and Spider-Man the hero.  It's not a totally unique idea in superhero fiction, not even in 2004, but I don't know any story that explored it better.  While Parker is struggling with his identity he is trying to rebuild his relationship with actress Mary Jane Watson, a relationship mirrored by Peter's mentor/foe Otto Octavius and his wife, a former English major.  Otto goes off the rails when his wife dies, while Peter finds balance when he accepts that he can carry the burden of both his lives, but not alone.  There's also a ton of reflection related imagery.

The Breakfast Club




I imagine the definitive high school movie might stop being one of my favorites at some point but it hasn't happened by age 23.  Perhaps The Breakfast Club never gets old because there's a part of us all that never stops being a teenager, or maybe it's because the entire concept is that teenagers are just as complex and fully human as any other age group.  Either way, it's impressive that a movie from 1985 can still be the most beloved depiction of high school for someone who graduated in 2010.  I've had more discussions about The Breakfast Club than any other movie and so far the only person I know of who didn't love it was in high school with me and hadn't seen any more than a few minutes of it.  Most summaries of the movies will say that it's about five archetypes who discover their similarities, but the real surprise is that the audience finds similarities to most, if not all, of the characters.  The Buzzfeed quiz we both know exists without looking for it is moot.  Nobody is only one Breakfast Club character.  That's the point.  "Each one of us is a brain and an athlete and a basket case, a princess and a criminal."  But it's still pretty cool that I got John Bender.