Showing posts with label The Magicians. Show all posts
Showing posts with label The Magicians. Show all posts

Friday, April 8, 2016

What You Want to Know About Fillory, The 'Narnia' of 'The Magicians'

On Monday the magicians are finally going to Fillory, which means The Magicians is transitioning from "Harry Potter for adults" to "Chronicles of Narnia for adults."  In the first episode of The Magicians the series' protagonist Quentin Coldwater is told that his studies at the supernatural graduate school Brakebills are unimportant because he won't be there for very long.  Therefore it isn't much of a spoiler to say that in Lev Grossman's novels the place Quentin goes to afterwards and spends much more of his time is the Narnia facsimile Fillory (although the border of spoiler territory will be walked along and perhaps crossed from this point forward).


Fillory arguably plays a larger role in The Magicians book series than Brakebills does.  Little details about Fillory have been sprinkled through the show so far and there will certainly be a lot of exposition in the episode but this is a whole new world we're talking about.  Naturally there's going to be a lot of new information to fit into a small amount of time.  If you know about Narnia a lot of Fillory will feel familiar but there are some very important differences.  I'm happy to offer the benefit of my knowledge as someone who has read the books, not least out of envy for those who have read A Song of Ice and Fire.

Of course, the TV show is far from a direct adaptation of the books so all of this should be taken with a grain of salt.  Many of the same conclusions are reached but in a different order on the timeline, and both timelines go in the same direction.  At this point of the TV series that direction is towards Fillory so it would make sense for the televised events in this magical land to be similar to the literary ones.  However, if you saw the last episode I can understand assuming that the show and books are two different branches of the same clock tree but that seems unlikely since both time loops end in different ways.

Now, about Fillory.  The most important thing to know is that Fillory is very dangerous.  Narnia has wars and curses and evil witches but it isn't very scary.  Somehow it's easy to imagine yourself getting by just fine.  In Fillory it is obvious that anything could happen.  People get hurt.  Some might be tempted to call it gritty and/or realistic but that's not really it.  It would be more accurate to say it's simply deeply flawed.

The magical land's imperfection is probably best personified by its deities.  Instead of Aslan, Narnia's messianic lion, Fillory is guarded over by two rams named Ember and Umber and they're both kind of dicks.  They're not at all the kind to willingly sacrifice themselves or their only begotten sons.  Also, they have peanut shaped eyes.  It's very important to Lev Grossman that you know that sheep have peanut shaped eyes.

Speaking of John and his third sixteenth, C.S. Lewis' Chronicles of Narnia are famously full of Christian allegory.  At one point Aslan implies that he is Jesus Christ himself in another form by another name in a different world.  In The Magicians, on the other hand, Grossman explores a much broader view of religion, philosophy, and spirituality.  If there's one defining doctrine of Fillory it's an anecdote about turtles.  It goes like this: A woman interrupts a scientist's lecture, (let's say it was Neil Degrasse Tyson just for example) and she says "This is nonsense.  Any logical person can see that the world is flat and sits on the shell of a giant turtle."  Tyson says, "Okay, I'll bite, what's that turtle standing on?" in that smug way he has about him.  The woman then replies "Nice try, but obviously it's turtles all the way down."

In the TV series, much like the books, spirituality plays a major part, especially in Julia's story arc.  However, the series skips over a particularly violent scene in her journey.  That brings me back to the aspect of Fillory that is most deserving of forewarning; it can be a vicious place.  I assume that Julia had such a pleasant interaction with Our Lady Underground because the real pain is coming in the finale.  If you don't care for that kind of think you might want to brace yourself.

Although, there's one way that Narnia and Fillory are very similar: they are both magical.  I don't just mean that magic is involved.  I mean that under the violence and the dickishness there is something truly childlike and wondrous.  Fillory provides a home to the Brakebills alumni and helps shape them into better, stronger people.  It has talking animals and wise old warriors and magnificent quests.  If the on screen arrival of Fillory is anything like the books it will be savage and gut-wrenching but marvelous and I can't wait.

Friday, February 12, 2016

Three Greatest Illusionists who are Actual Magicians

When I was little I began to doubt Santa Claus's existence when I realized just how desperately every Christmas movie was trying to prove it.  In contrast, every movie about illusionists focuses on proving them to be frauds.  No matter how convincing the trick in the end it's nothing more than smoke, mirrors, and misdirection.  That's why I love stories where the opposite happens; someone who appears to be a typical stage magician is revealed to have bona-fide supernatural abilities.  The new TV series The Magicians caught my attention because I assumed it was about that very thing. Although it is fantastic and quickly becoming one of my favorite shows among steep competition, it has very little to do with illusionists.  For this particular craving I am once again left to feed on morsels.  The scarcity and admitted inadequacy of these stories is regrettable, but perhaps their specificity and "quirkiness" only lends to the mystical quality of these unique few.

Now You See It...




My first memory of this very narrow trope comes from a 2005 Disney Channel Original Movie.  Like many people of my generation, DCOMs fill a special place in my excessively nostalgic heart.  Now You See It... may not be as well remembered as Zenon or Halloweentown for example, but it ignited my imagination like no other.  If nothing else it deserves credit for originality as a member of this exclusive club where every member is different.  It aired when I was becoming a bit too old for Disney Originals and as such it is one of the last DCOM's that I have any feelings about whatsoever.  It starred Aly Michalka, who is perhaps best known now for her role in the fantastic supernatural detective series iZombie but at the time was in the middle of Disney's Phil of the Future.  She played an aspiring producer who discovered a prodigy, Danny (Johnny Pacar), for a magic reality contest show.  Before long Michalka's character discovered that Danny could perform acts of real magic as could the man behind the competion, Max, played by the magnificent Frank Langella.  Danny and Max briefly form a mentorship until Max reveals his wicked intentions, at which point they battle before Danny goes into hiding.  Of course, the ending was made to feel as uplifting as possible but it really wasn't as triumphant and ending as you would expect from the source, which is further proof of its peculiarity.

Zatanna/Zatara




The most famous example of an actual sorcerer masquerading as a fraudulent performer is the DC Comics hero Zatanna Zatara.  She is a frequent member of the Justice League and has appeared in various adaptations including Smallville and perhaps the potential Guillermo Del Toro film based on the Justice League Dark series.  She inherited both her sorcery and her occupation from her father, John Zatara, who first appeared in 1938.  They perform spells by speaking backwards.  A recent example from someone outside the family is "noil sdrib," which resulted in bird lions.  As per usual for comic book characters, Zatanna is great at everything she does.  She is one of the most powerful people in the DC Universe and still she has perfected a thrilling stage act that has no necessity of the supernatural.  She stands out from the typical superhero for her theatrical appearance; a top hat, tuxedo top, and fishnet stockings.  Also, doesn't seem to have ever had any interest in a secret identity.  As a civilian she's a public performer and as an adventurer she just wears her stage costume without any facial concealment.  Her chosen career involves tricking people into thinking she has magical abilities even though she really does have magical abilities, a fact that she makes no attempt to hide.  I suppose audiences just need to take it on faith that when she's pretending to do magic she really is lying to them and trust that a respected Justice League member would never lie to them about lying to them.


Thriller: "Dark Legacy"




Anthology series like The Twilight Zone gave great imaginative minds, namely Rod Serling, the perfect outlet for their sci-fi and horror stories.  There's a pretty good chancy that any of your favorite recent sci-fi stories are little more than an imitation of a Serling script.  In this case however, that honor goes to Thriller, the series hosted by horror icon Boris Karloff.  The episode stars Harry Townes as an illusionist who rapidly rises through the ranks when his uncle bequeaths him a book of occult origins.  He uses the book to summon a demon, an act that rarely if ever goes well.  He carries the hellish agreement through to its inevitable end despite warnings from his well intentioned friend played by the Rat Pack adjacent Henry Silva.  Overall it's a decent piece of 50's horror.  The opening scene of the uncle's death while garbed in full wizardry attire is remarkable all on it's own.  Although, it isn't quite the affirmation of the wonders of a magical world hiding in plain sight that I like to idealize.  Actually, it's closer to The Magicians; a glimpse at the dangers of the supernatural lurking behind a deceptively childlike veneer.  All it needs is a good quarter-life crisis and Harry Townes could be Quentin Coldwater.

Friday, January 22, 2016

Mad Men Report: The Magicians, Angie Tribeca, and Legends of Tomorrow

We're a few weeks into the new year and with it comes a new batch of TV shows, and guess what: they're all great, because it's just impossible to make a bad show now.  It's a miracle that CSI: Cyber exists.  It's such a breath of fresh air.  Bad writing, a contrived premise and lackluster acting.  It's terrific!  But not these shows.  No, these new shows are a stupid fire-trucking delight to watch and it just makes me want to stab my own eyes out with a pair of 90's TV "bunny ears" antennas.  Speaking of the past, as always the rating system for these shows is based on their potential to distract me from watching Mad Men.  

The Magicians



A troubled loner is thrust into a world of magic and only he can stop the oncoming evil.  The Magicians, which officially airs on Monday the 25th but is available online and on demand, bluntly addresses things like sex and violence and addiction and mental illness.  You could certainly see it as Harry Potter for adults, or you could see it as The Chronicles of Narnia funneled through Mr. Robot, but the best way to see it is as a brand new magical world that we haven't even begun to discover that occasionally satires other fantasy.  The first episode suffers from the translation of book to live-action, perhaps because it's rushing to get to the good stuff, but it's worth it because the good stuff is delivered.  It's strange, dark, mysterious, and as wonderfully cinematic as the best of TV.  Jason Ralph is swell as Quentin Coldwater, the graduate student who goes straight from the mental hospital to his new magical college known as Brakebills.  In a small moment the series reveals its potential when a spirit guide of sorts tells Quentin that he won't be at Brakebills for long.  The sooner he gets away from the Potter comparisons the sooner The Magicians can just be The Magicians, and that's when things can get really nifty.

Mad Men threat level: 9/10

Angie Tribeca



There's a very specific kind of silly comedy that has only been done well when Leslie Nielsen is involved.  He's passed on now so instead Rashida Jones is trying her gosh darn best and cunting fuck if that's not good enough.  She stars in the new TBS comedy Angie Tribeca that premiered and ended its first season earlier this week.  I like to think the late Mr. Nielsen wouldn't object to having his body exhumed and Weekend at Bernie's-ed for a good enough joke but that may not be necessary with Rashida's excellent supporting cast.  The consistently hilarious Deon Cole plays Angie's fellow detective DJ Tanner, the esteemed Jagger plays Tanner's partner David Hoffman and the legendary Alfred Molina works in the forensics lab for starters.  As if that weren't enough, they are accompanied by a bevy of fantastic guest stars including Lisa Kudrow, Adam Scott, James Franco, and Bill Murray.  On top of that, the series was created by the comedy power couple of Steve and Nancy Carell.  With the idiotic writing and neat deliveries of Angie Tribeca, it would be hard to find a better tribute to the late Nielsen.

Mad Men threat level: 7/10

Legends of Tomorrow



The "Arrowverse" that started with Arrow and expanded to The Flash just introduced a new character who brought with him a whole new world.  Time traveling rapscallion Rip Hunter has taken upon himself to save the timeline from the immortal Vandal Savage.  To help him on this mission he has recruited a troupe of heroes (both anti- and pro-) and a couple of villains who all first appeared on The Flash or Arrow.  Rip, played by Doctor Who alumnus Arthur Darvill, has a personal vendetta against Vandal, as do the star-crossed lovers reincarnate Hawkman and Hawkgirl.  However, the heart of Legends pumps the blood of lighthearted adventure, and on that front Caity Lotz's White Canary is the true star.  After dying and returning to life on more than one occasion like Arrow's own Phoenix, Sara Lance has a new lease on life.  When Rip takes the team to the 1970's Sara leads the charge to get groovy.  More than anyone else, including Brandon Routh's adorkable genius Ray "Atom" Palmer, Sara has made the decision to have fun on this temporal voyage and that makes her the soul of the show, whether she has one or not.

Mad Men threat level: 8/10